Alison Garwood Jones

Push your talent

October 10, 2017

Comic strip by Alison Garwood-Jones

This is my first attempt at a page for a comic strip or graphic novel. The hardest part, so far, is unifying the look and the palette.

In this romp through the forties (above), I came up with the drawings before I had a story in mind. Now I’m gathering them up in sequence to see how they look together and what story emerges. Not bad.

In another project I have on the boil, I have an entire story, but no drawings. It’s a short story I wrote four years ago that I want to try and map out visually.

Most illustrators I’ve looked at can draw in many different styles, but they choose a style appropriate to each story or assignment so it reads cohesively. All of these are revelations to me as I delve back into my childhood pastime: art.

Over the last year, I have posted drawings in every illustration style imaginable to my Instagram feed, from hand-drawn sketches to digital posters. I’ve been doing that to test the what I like doing, and find out the limits of my talent. Some styles (like loose brush strokes) hide what I haven’t mastered yet in human anatomy. Line drawings, on the other hand, force you to be accurate with things like hands and foreshortening. I have a multitude of challenges ahead of me that regular life drawing classes could fix.

All in all, I love seeing my progress. It’s impossible to miss since Facebook keeps throwing up anniversary posts, showing me what my drawings looked like a year ago. I’m getting better.

#GraphicNovels #cartoon #illustration #pentelbrushpen

#LearningNewStuff

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More than words

October 3, 2017

Bar scene, watercolour by Alison Garwood-Jones

The proposal, watercolour painting by Alison Garwood-Jones

Watercolour sketch of guys in bar by Alison Garwood-Jones

This blog started out as a place to write. That was ten years ago.

Today words have lost their lustre for me. I’m shocked and put out by the way language has being kicked around, mocked, and misused. I used to rely on words to express truths. My love for and response to them was intense and loyal. It still is.

But now that so many careless hucksters are messing with the reputation and integrity of language, the power words have over me has diminished. I find more truth in drawing.

I’ll continue to write and read, and read and read, but I’ll mend my broken heart over all the post-truths passing themselves off as language with colour and lots of lucious, inky lines.

Above: “Your local,” “She said ‘no'”  and “Mulling over her answer”— three brushpen and watercolour drawings by Alison Garwood-Jones inspired by life in the 1940s.

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New York State of Mind

September 28, 2017

New York Subway, Illustration by Alison Garwood-Jones

A bygone newspaper era. New York, 1945.

Today it would be phones. In France, everyone still reads novels on the Metro.

#illustration #watercoloursketch #subway #MTA 

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Packing List

September 14, 2017

 

This is what I managed to capture right before our trip to Vancouver this week.

I did some en plein air pencil sketches of Port Moody, but now I’d like to capture a couple of our day trip activities,  including our visit to a glacial lake, renting a canoe, and eating salmon jerky on a friend’s back porch.

I didn’t want to sketch during the trip. I was having too much fun experiencing it. But I have pics in my phone, so I’ll capture those here in Toronto at my drawing table.

Watercolored line drawings by Alison Garwood-Jones

 

 

 

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Freelance life

August 10, 2017

Freelance Achievement Sticker based on series by Jeremy Nguyen

When there’s no watercooler, just silence, you have to rely on discipline and humor to beat back the latest news on #genderwars, #Trump and our pooched #environment. Did I miss anything?

Another freelance achievement sticker to add to Jeremy Nguyen’s fun series for the The New Yorker. (Bushwick Daily) #DailyShouts

I’ve rolled these into my daily PhotoShop assignments. I’m making progress.  #GetBusy #LearnMore

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Freelance Achievement Stickers

August 9, 2017

Freelance Achievement Sticker by Alison Garwood-Jones, inspired by Jeremy Nguyen

 

My addition to Jeremy Nguyen’s brilliantly spot-on series of #FreelanceAchievementStickers for the The New Yorker.

(Bushwick Daily) #DailyShouts

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Jessie Tait, designer

August 2, 2017

Jessie Tait's classic Sienna pattern for dishes from the early 1960s

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When in doubt

July 29, 2017

I love this quote by Shadi Petosky from Grace Bonney’s book, In The Company of Women. I was determined to visualize it in PhotoShop, which I’m finally learning.

It’s easier to learn a new tool when you have something you actually want or need to make. Have you noticed that too?

I learned iMovie because I needed to teach it. And then I started a web series called Willful with my friend Yann Yap, a masterful film editor, and once again I was  forced to up my game.

I’m learning watercolour because I like chasing magic.

Learning is life’s best therapy because it allows you to expand, and then share everything you’ve gained.

Everybody wins.

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A star is born

July 19, 2017

Girls on the Bus illustration by Alison Garwood-Jones

TORONTO, JULY 2017: Filmmaker Maureen Judge‘s next documentary, Girls on the Bus, in development with TVO Docs, explores the challenges faced by teenage girls whose expectations of success and sexual equality are not being met.

Maureen will follow four to five subjects during their final year of high school, and look at how the perception of a glass ceiling, and their place in the world affect the teenage girls’ attitudes, actions and goals.

I got out my black Uniball pen to create this drawing for their flyer and social media accounts. I’m a huge fan of how Maureen gets inside the lives of her subjects. Check out her work at MakinMovies.ca

Here is what Maureen is looking for in her own words: “While it seems like future possibilities for girls across North America are limitless, and more girls graduate high school than boys, a recent Gallup poll found 77% of teens still believe there’s a glass ceiling. Girls continue to encounter overt and shameless sexism. And, as they become aware of the disappointing job statistics for women, they begin to wonder about their goals and dreams. For instance, in two years Canada has fallen from 19th to 35th place globally in the gender wage gap ratings. And there is still a gap of close to 20% between full-time male and female wages.

Throughout the film, we observe the subjects dreaming about their futures and, despite the odds, see one believing she can achieve anything she wants, while another feels isolated, insecure and defeated. We relate to their passions, anxieties, sexual awareness, and frustrations as they navigate the social landscape of school, their families, and the digital world; fall in and out of teen love; and struggle to assert themselves in a male-centric world, amid a myriad of challenges and growing pains.”

Maureen’s last film, My Millennial Life won BEST DOCUMENTARY at the Canadian Screen Awards (Canadian Screen Awards).

GIRLS ON THE BUS – WHO ARE WE LOOKING FOR?
Age Range: Girls going into grade 12 or senior year of high school
Profile: Full of personality, sense of humour, witty…and eager to be on camera!

If you or anyone you know is interested in participating, please get in touch via email: info(at)makinmovies.ca

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Coney Island

July 16, 2017

Coney Island Cyclone Coaster Illustration by Alison Garwood-Jones

In the summer of 1927, New Yorkers flooded to The Cyclone, Coney Island’s newest ride engineered by inventor Harry C. Baker. “Let’s go for a wild ride,” they told their friends and family members. A giant chain slowly pulled the three-car train up the wooden tracks to the zenith — it was a rattly, herky jerky preview — before it quickly dropped at speeds of 68 miles an hour over nine more drops and six curves. New Yorkers stepped off the ride windswept and unsteady on their feet from the speed.

Drawing by Alison Garwood-Jones using a black Uniball pen.

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