Alison Garwood Jones

Yer breakin’ my heart

April 14, 2026

Map of Canada and the USA by Alison Garwood-Jones

EXCERPT: “Not having anyone to compare myself to, and with no professional or ancestral lineage to live up to, I felt like America, this start-from-scratch experiment where anything was possible.(1)

I wasn’t the only Gen X Canadian obsessed with America. In the 1980s and nineties, it was the place to be. Canada was still struggling with its confidence and still reacting to youthful buoyancy with a blank stare. That’s when I decided I needed to be where my drive and creativity would be embraced. That meant crossing the border. For a decade, I went back and forth between Canada and the U.S., studying at art schools, working in museums (like the Smithsonian and the Art Institute of Chicago), and absorbing the best America had to offer.

But I always returned. Not because Amercians aren’t ingenious and inspiring. They are. But, to me, personal development, career growth, and ambition were not a ruthless battle that ends with one person left standing in a smoking field of bodies. This is how I view(ed) America’s take on striving and success.

For whatever reason, I was determined to prioritize the gentle side of my personality and incorporate those qualities into my work. Maybe it’s the Canadian in me or just the Alison in me. Had I stayed in the U.S., that softness would have been wiped out by America’s lack of a social safety net.

I also came to understand that I preferred living in a nation that could laugh at itself — power never takes the mickey out of itself — and acknowledge the need to address and redress the disconnect between its ideals and its reality. Canada is a tiny nation of sharp armchair observers and I told-you-so-ers. While we’re one step ahead of the U.S. in acknowleging our actual history, we’re still figuring out what to do about it. We’re exceptionally good at stalling, but the truth is out there and so is the pressure to do the right thing.

For now, Canada is a destination where weirdos and non-conformists continue to be left in peace and covered for their hospital visits. If that was big back then, it’s huge now.”

#NewProject

  1. When I learned American history in the late 1970s, the tabula rasa theory was still in vogue. America was a blank slate there for the taking and the making. This colonial attitude ran roughshod over the universal rights, cultural contributions and point of view of the founding First Nations. So indoctrinated was I in colonial history that when my family pleaded with me to stop using the dining room table for my nightly homework and school projects, I justified the takeover with two words: “Manifest Destiny.” I was proud of my energetic grasp of history and thought they should be too. Geez.

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Book on Grief is an Exhibit at the TPL

April 9, 2026

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

: I MISS MY MOMMY drawing exhibition
: Toronto Public Library – Deer Park Branch, 40 St. Clair Ave. East (TTC stop: St. Clair)
: The entire month of April

Head to the magazine section near the front entrance. I’ve created a story corner for adults, with a very light touch of Pee Wee Herman.

The exhibition shows 20 reproductions from my illustrated novel, I MISS MY MOMMY, an award-winning book that tracks how grieving adults look and act. Just so you know, the Five Stages of Grief doesn’t even begin to cover it.

My goal has always been the same: establish a close relationship with the reader/viewer by showing them private emotions or behaviours they know well, but weren’t expecting to see. You will either laugh or experience a feeling of camaraderie.

Spoiler alert: None of us are getting out of here alive.

Thank you TPL for hosting this show and for carrying my book (paperback and digital).

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

 

I Miss My Mommy: Portraits of Orphaned Adults Exhibit at Deer Park Branch of Toronto Public Library by Alison Garwood-Jones

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U of T’s Career Expo

March 11, 2026

Career Expo and Networking Event put on by The University of Toronto School of Continuing Studies - Alison Garwood-Jones, closing speaker

Yesterday I wore a low-heeled suede boot for my talk at the 2026 CAREER EXPO hosted by the University of Toronto School of Continuing Studies, and lifted myself up to a height of 6’2″.

There’s something unexpected and strangely comforting for audiences when they see someone tall share the crossroads and vulnerable spots in their career progression.

People equate height with invincibility, even power in the workplace. I equate it with having a hard time finding pants.

What yesterday’s CAREER EXPO taught me is that we’re all asking, “What’s next for me?” And from the moist eyes in the house, I could see that many people want to fulfill some sort of creative potential they feel knocking around inside of them.

Maybe because we’re Canadian, we’re waiting for permission to do something about it. And maybe because I’m tall, I’m not. Being #1 is outdated (and makes some people freeze). Being the only one feels promising and worth committing to (h/t Jimmy Carr).

Yesterday’s presentations with Stephen Allen, Amanda Ono, Christine Crouch, Kim Ferreira and Achev offered us several ways to respond to the moment we’re living through:

• Resistance to AI and your own creative impulses is limiting and pointless. The two may feel at odds, but both require your understanding and constant attention. As one speaker put it, “test and invest,” and learn to live with the daily discomfort this will cause.

• You don’t have to know everything — about AI or how to evolve. No one knows what will happen (especially not the tall people). Now is not the time to cave. Action is the best cure for anxiety, say all the people who care about having a say in our future (h/t Fei-Fei Li).

• Today your career progression is a jungle gym, not a ladder (good one, Amanda Ono!)

• The workplace has redesigned itself around skills, not degrees (and especially not fancy degrees). Skills are transferrable. Which ones can you redeploy? Oh, and soft skills — like emotional intelligence and relationship-building — are the hardest skills to develop and the most important going forward (Ladies and liberal arts degree holders, here’s your chance to shine!)

• If you’re mid-career, think beyond your own discipline, and don’t put your career development on the back burner (wise counsel from Kim Ferreira). Own your own skill development, and update your LinkedIn profile every time you acquire a new one (so much better than waiting every five to ten years to refresh your CV).

My thanks to Juan Mavo-Navarro for inviting me to participate in CAREER EXPO 2026, to the irrepressible and delightful Ann Park for introducing me, to Jane Welowszky for adding her energy to the room and shooting me action. And to Gregory Garson for cheering from the back (and snapping this pic!)

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Deer Park Art Exhibit

March 1, 2026

I Miss My Mommy art exhibit coming to the Toronto Public Library

Hi, I’m Miss Jones, your first grade teacher.

I’m spending my Sunday cutting out wall letters and flowers for my home room library corner.

Okay, I haven’t switched careers!

Actually, I’m creating these wall letters for a corner of the Deer Park Branch of the Toronto Public Library.

For the month of April, Deer Park will be hosting an exhibit of my drawings from I MISS MY MOMMY , my illustrated novel for orphaned adults that follows what it feels like to live in a world that no longer includes your parents.

I’ll be hanging it on the first floor in the magazine section.

WHAT: Free public art exhibition – “I MISS MY MOMMY: Portraits of Orphaned Adults”
DATE: April 2 – April 30th, 2026
WHERE: Deer Park Branch of the TPL — 40 St Clair Ave E, Toronto, ON M4T 1M9 (Subway: St. Clair)

When you lose your parents, sometimes you go back to feeling like a little kid. Maybe that’s why I’m drawn to using cut-out letters.

Or maybe it’s just my industrious way of working with next to no budget.

Keeping it small keeps me close to my parents. Staying close to the work guides all of my professional decisions.

I Miss My Mommy art exhibit coming to the Toronto Public Library

BTW: The paperback and ebook versions of   are available at the Toronto Public Library. You can also purchase the book using the link in my bio.

FUN FACT: In the 1940s, Margaret Atwood received her very first library card at the Deer Park branch of the TPL. She checked out Grimm’s Fairy Tales, followed by an avalanche of other titles. I’m currently reading the library copy of her memoir (of sorts), Book of Lives.

Libraries make us feel things. Come and hang out with the art and books.

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You’ve Got the Power

February 4, 2026

You've Got the Power - Writing Workshop by Alison Garwood-Jones

There’s a reason no one is swooning over or rallying behind the words of an AI. It’s a rizzless dinner date and utterly blank when it comes to serenading an audience.

But, like most geeks, AI is alarmingly good at knowing an audience — its habits, wants and needs … all reasons to consult with it — but it’s never the one you should be putting in front of your audience when it really counts.

That’s where you come in.

YOU’VE GOT THE POWER is a 90-minute workshop for corporate copywriters and content marketers determined to rise above the volume and beigeness of AI slop with their quick wit, charm, and bravery.

I will remind you:

  • How to stir up your joy, restore your energy, and reset your focus with writing/ doodling exercises that clear mind clutter and make way for the muse
  • How to look your audience in the eye
  • How to hold on to the specific, human details in your writing. They’re NOT ‘unprofessional’ or ‘too personal.’ Those details are exactly what make a story feel real,  and real stories are what make audiences care and act! That and using an active voice (not passive).

It’s time to take back your power as writers and storytellers and show the world what you’ve got!

This workshop is most effective when we meet in person. I’ll bring my sack of markers and my best bend and snap!

My latest client: the marketing and comms team at an international non-profit focused on human rights for women and girls.

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Why Writing Matters More Than Ever

January 23, 2026

Mark Carney's Davos Speech and the power of good writing.

I’ve yet to hear someone describe an AI output as

“One for the ages”

“A rallying cry”

“World-changing”

Now ask yourself: has a phrase from ChatGPT ever inspired a spontaneous standing ovation at your desk? For me, an unexpected “huh!” is as high as my emotions have climbed.

As new tech floods the zone, and companies reassess the role of writers to their success and continuous adaptation, the Davos speech by Prime Minister Mark Carney was a timely reminder that

•  Good writing is good thinking. The best examples tap into decades of hands-on experience in the real world.

•  Carney is the ultimate SME. That explains why he wrote his own speech. Two days after Davos, the PM handed his next speech over to his team and proceed to deliver political pablum at a cabinet forum in Québec City. Wait, what?

Good writing is the ultimate survival strategy for nations, brands, and knowledge workers.

Finally,  good writing is not an exercise in nostalgia. What Carney’s speech showed us is that clear, impactful writing is the very foundation of every challenge we now face. When your writing meets the moment, your audience will notice.

If you are keen to sharpen your writing and critical thinking skills, join me in class at the University of Toronto School of Continuing Studies for:

3681: Writing Digital Content in the Age of AI — Focuses on practical writing tips for content marketers.

2875: Digital Communications Strategy and Social Media in the Age of AI — Shows PR and marketing pros how to adopt a strategic approach to their digital communications management.

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Going Outside

January 14, 2026

Hydro Flask: when copywriting inspires.

Can copywriting still inspire?

You better believe it.

This message was the first line in the fine print of my HydroFlask warranty.

I fished the folded note from my new water bottle, and, for whatever reason, decided to read it.

To me, it doesn’t matter how they came up with this message — AI, humans, canine consultants … — it reached me.

I’m keeping it close.

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Jayne Was an Artist

October 23, 2025

 

Jayne Mansfield by Alison Garwood-Jones

Ed Sullivan would not have a late night TV show today.

He was a super freak — intensely awkward (not in a charming way) and untelegenic (in a Richard Nixon way).

But even bigger than that, this was a guy who valued talent regardless of the race, gender or measurements it came in.

When Sullivan welcomed Jayne Mansfield onto his show in 1957 to perform a violin concerto, he didn’t pull a Jack Paar — “And here they are, Jayne Mansfield!” (a writer’s room line by a 21-year-old smartass named Dick Cavett).

He prepared his audience for what they were about to see: “Here’s a girl [he wasn’t perfect] who can “out-violin Jack Benny … and all because her mother made her practice.”

Behold, a gowned Mansfield (sleeves rolled up). Or rather, one Vera Jayne Palmer, dedicated music student, giving her full attention to Vivaldi’s Concerto No. 6 in A Minor.

For the first time, a nation witnessed Mansfield pull her away from an awareness of her body and lean into the music’s imagery. Jayne was an artist!

Cultural biases change in small, incremental breakthrough moments like this.

Vera Jayne and Norma Jean sound like they could have been soul mates.

 

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Your Event Emcee

September 10, 2025

Meet the emcee for your next event: ME!

As a beauty editor, I learned to think on my feet and stay poised.

As a magazine feature writer, I learned to ask smart questions and tell a good story.

As a university instructor, I’ve mastered clear communication and crowd engagement—on stage and off.

As a public speaker, I know how to command a room.

As a webinar host, I know how to manage live timing and tech hiccups without breaking a sweat.

I’ll bring all of these skills to the stage as your next event emcee.

If you’re interested in teaming up with me, you can reach me at: alison(dot)garwoodjones(at)gmail(dot)com

Let’s put on a show!

 

Sources:



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On The Ground

September 1, 2025

Rethinking your skills in the age of AI

ON THE GROUND tracks how people in my neighbourhood and city are rethinking which creative skills they can promote as AI reconfigures paid working opportunities.

Abby Parsons is a Lego contractor. She makes models of your home, office or factory. I’ve never met her, but I find her work and marketing convincing and charming. Such chutzpah!

If you’re not in Toronto, I’m sure she could recreate your home or headquarters if you send her a good photo.

Rethinking your skills in the Age of AI

Let’s put Abby to work!

Contact her for a free quote at: abby(at)brickandblock(dot)ca – cc @legocanada @lego

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