I’m not sure why it took me so long to stumble across the art of Hunt Slonem. I like brush gymnastics!
*Hat tip to Sasha Josipovich
December 7, 2011
I’m not sure why it took me so long to stumble across the art of Hunt Slonem. I like brush gymnastics!
December 6, 2011
Facebook COO Sheryl Sandberg explains why women won’t be equal to men outside the home until men are equal to women inside the home.
December 2, 2011
Someone said to me the other day, “You look like Amy Fine Collins.” I’ve read Amy Fine Collins. She’s a longtime writer on art, fashion and design for Vanity Fair, one of my favourite magazines. I like her work. I thought she was blonde and sporty, though, but that’s Nancy Collins, a celebrity profiler and another VF contributor.
Then I found this cartoon of Amy in the September issue of Vanity Fair by Canadian illustrator Barry Blitt. And, yeah, I can sort of see the resemblance.
AFC by Barry Blitt (left), AGJ by Ryan Faubert (right)
We’re both treble-named journalists, swan necks with dark pixie cuts and backgrounds in art history (although Amy has three degrees whereas I stopped at two). But that, folks, is where the resemblances end.
A spread on Amy’s life in Elle Décor drove that home. When I was an editor at Elle Canada (oh wait — tee hee — another parallel),
… my personal life was never splashed across its pages, just my limited party life.
And here’s why:
Just a card table from Canadian Tire that she pulls out when she’s not sitting on the ground at her coffee table, Japanese-style, with guests she predicts will be flexible enough to get up again. Friends with back twinges, boney asses and higher expectations get a spot a the card table — but only after she unhinges it, snaps a colourful swath of fabric over it and rustles up enough Ikea chairs.
I say, why have English Regency and courtly French when you can have Chinese vinyl and Swedish self-assembled?
Amy’s décor pedigree is simply breathtaking. To wit, here’s what graces her dining room:
• A sketch of Balenciaga couture • A 1940s cover illustration for Vogue • An oil on canvas by Marcel Vertés
• Palm chairs by Mario Villa upholstered in Gene Mayer scarves • Whitewashed chairs by Syrie Maugham
And her boudoir
•Painted screen by Marcel Vertes • Jean-Michel Frank caned cabinet (formerly belonging to Horst)
Ok, one more … her office
I’ve come to the conclusion: I don’t have a fast enough metabolism to achieve a life like this. Not on a writer’s income. That disappoints me sometimes. Shouldn’t I be going for the ultimate prize, a New York life and a New York apartment?
Trust my favourite blogger, Penelope Trunk, to put it all into perspective:
“‘Should’ is the American way of putting ourselves down in the name of the need to impress other people”
Another one of my favourites, columinst and author Meghan Daum, described her parents determination to be New Yorkers in a way that leapt off the page:
Could my parents have cured their obsession with New York by simply giving in to it? Could they have sidestepped the insecurity that begat the phoniness that begat the chronic sense of estrangement and made themselves into genuine New Yorkers the old-fashioned way, by faking it for as long as it took to start truly making it?
I haven’t hit on the answer to that, yet. I’m only on page 34 of the book where this appears, Daum’s Life Would Be Perfect If I Lived In That House. One thing I do know, …
New York does NOT have Canadian Tire Christmas trees. This one has jet black needles with extra small twinkle lights already threaded through it.
My heart needs that.
My Christmas tree is not the only thing that’s Made In Canada.
November 17, 2011
November 16, 2011
I don’t belong to book clubs because reading — and what I’m reading — feels incredibly private to me. I don’t want to share. I want to think. And problem solve. Alone.
The same goes for music. I feel invaded when someone scrolls through my playlist without asking.
For the moment, books and magazine reading can still offer a private experience. That’s because they’re still being printed on paper, which defies multitasking (except for vacuuming and snack fixing).
When (not if) we move the whole operation to screens and shut down the presses, our sense of privacy will be forever altered. When that day arrives, we will have removed an important psychic boundary that is essential to processing all life throws at us, especially at our most stressful moments.
I think about this all the time. Yesterday I read this quote by a magazine exec on D.B. Scott’s magazine website: “We’re not getting out of the magazine business. We’re getting out of the paper business,” said CEO Steve Weitzner on the decision to take his company, Ziff David Enterprise, 100% paperless starting in January. “The ability to look at what others are tweeting, share on your social networks, and pull in related content are things that print can never do,” he said.
Then Hugh MacLeod posted this cartoon on his website today:
They’re both right. And naturally I’ll keep moving with the times ’cause I’m a plucky adapter, albeit one who squints at the halting social skills of gamers and despairs at the first date couples who pull out their smart phones during awkward silences. I see it all the time. I work at a bar.
Still, here’s a challenge for our future selves: Let’s get back to infusing silence with meaning generated from within, not without.
I doubt it will work because so many people prefer running from themselves. And technology offers the perfect accomplice.
November 11, 2011
I wrote this piece last fall after a trip to Amsterdam, but it seems appropriate today. I wish Canadian soldiers had been able to walk Anne Frank out of Bergen-Belsen.
Coming out of the last exhibition room at the Anne Frank House in Amsterdam, I was pressing Kleenex into my puffy eyes when a guide standing at the exit touched my arm and asked if I’d fill out out a survey about my experience at the museum. “Absolutely,” I said as she led me to the computer station in the café.
I sat at the computer for several minutes, staring out the window. I was still replaying in my mind one of Anne’s Dear Diary quotes: “Already I know what I want to do, don’t you? I want to be a journalist or something in the world.” That line, posted on the wall at the end of the show, is barely visible under the exceptionally dim lights.
Lost potential always makes me cry.
Here, then, are a few details about Anne which make me laugh, then cry some more. They’re quotes from her best friend Hanneli Pick-Goslar, and are the sort of facts trained historians routinely overlook (I’ve edited them for clarity). I found them in a book of interviews compiled by Willy Lindwer, the Dutch documentary filmmaker (I bought his book, The Last Seven Months of Anne Frank, and a pile of others at the gift shop). By the way, Hanneli’s still alive. She lives in Israel and has 10 grandchildren.
*The bullet points are miniatures of Anne’s first diary, given to her by her parents on her thirteenth birthday.
“In contrast to my parents, the Franks weren’t religious at all. I had to study Hebrew. Anne didn’t. She followed in her father’s footsteps. I never went to school on Saturdays. Orthodox Jews don’t go to school on Saturday — the Sabbath. Anne did. Then every Sunday she would come to my house, or I would go to hers, to do our homework.”
“Often on Sundays we would go with [Anne’s] father to his large office on the Prinsengracht — now the Anne Frank House. There was a telephone in every room and this gave us a chance to play telephone. We [also] played a lot of street games. We’d throw water out the window on people walking by.”
“Anne loved autograph books in which everyone had to write a verse. She had a lot of friends. I think she had more boys as friends than girls, especially when she was in the sixth grade and then the first year at the [Jewish] Lyceum. Boys really liked her and she liked it a lot when they all paid attention to her. Anne was always the center of attention. She liked being important — and that isn’t a bad quality. I remember that my mother, who liked her very much, used to say, ‘God knows everything, but Anne knows everything better.'”
“She was always fiddling with her hair. She had long hair and it kept her busy all the time.”
“Anne had a special funny trick that I had never seen before. Whenever she wanted to, she could move her shoulder out of its socket. She thought that it was great fun to have the other children watch and burst out laughing.”
“She was always writing in her diary, shielding it with her hand, even at school during the break. Everybody could see that she was writing. But no one was allowed to see what she had written. And I thought that she was writing entire books. I was always very curious to know what was in the diary, but she never showed it to anyone.”
“Anne was a sickly girl. I don’t know what the problem was because she almost never had a high fever, but she often stayed home in bed. That would last a couple of days. She probably had rheumatic fever. I would always visit her and bring her homework assignments. She was always very cheerful.”
“At the Jewish Lyceum Anne and I always sat together. We copied each other’s work, and I remember that we were once given extra work as a punishment for that. One day, a teacher grabbed Anne by the collar and put her in another class because he wanted to keep us apart. We had been talking too much. I don’t know how it happened, but half an hour later, there I was sitting next to her in the other class, and then the teachers just let us sit together.”
“Anne was the first girlfriend I lost. When I went back to school after the summer [her family went into hiding], fewer children came to class every day. It became more and more dangerous. I shall never forget how our history teacher, Mr. Presser, gave us a lecture about the Renaissance, but in the middle of the lesson he began to cry and ran out of class. ‘Last night they took away my wife.’ It was terrible. I still get chills when I think about it.”
And for the sounds of the bells the Frank family listened to to mark the hours while they were in hiding, click here. I recorded this on my iPhone.
By the way, when the Anne Frank Museum survey asked me where I was from, I couldn’t answer the question. Canada wasn’t one of the choices in their long lineup of countries. The closest answer was: North American (Other). That really pissed me off. Who liberated Holland, pushing out the Germans? Canada. Who offered the Dutch Royal Family a safe haven for four years during WWII? Canada. Ottawa’s acres of tulips are almost all tokens of gratitude from the Dutch. I think the guide at the museum must have seen me shaking my head because she came over and asked if I was having technical problems with the site. “No,” I said, saucer-eyed. “But where’s Canada? You need to add Canada.” I didn’t give her the history of our two nations. Miss Bossy Boots (one of my many charming personae) was strangely silent that day. I guess I figured that if Canada couldn’t have saved Anne (who died in Germany), what was the point?
Back at the hotel, feeling utterly spent, I picked up a copy of Glamsterdam, a glossy publication covering Holland’s arts, culture and sports scene. I came across a profile of Marcel Kars, a Dutch/Canadian hockey player with fabulous abs. The piece, by Sabine Wendel, cited Kars’ hometown in bold as “Toronto, USA”. Sheesh. What’s up with the Google Generation of Netherlanders? Did they skip history class the day Canada’s heroics were covered? I hope my kvetching lands as a Google Alert in the inboxes of both the museum and the magazine. Time to reinvest in a fact checking department, folks. I look forward to their comments. Truly.
November 7, 2011
People sometimes ask me, “Do you make money from your blog?”
“Indirectly,” I say.
I have no advertisers flashing in the sidebars. And in the two years I’ve been blogging no one has offered. While the houses of Chanel and Dior flock to beauty blogs, there are no obvious products you can throw at a forum on human nature. Worry beads, maybe. Or stress balls, pet rocks and marker sets (I could use some new markers …).
Here’s how it works: I make money when editors e-mail me, offer me assignments and add in their sign off, “I’ve been reading your blog!” They end up assigning me things that suit my voice and my interests — just like screenwriters write scripts with certain actors in mind — and that saves me a lot of time and expense pulling together pitches that might never fly.
As Penelope Trunk, one of my favourite bloggers, writes,
“Don’t get sidetracked by snake oil salesmen telling you that you should make money from your blog.” Rather, learn how to blog so you can write your way towards the career you want. “And learn how to blog to get the life you want. So you can go to art museums in the middle of the day and so you can think about things that are more fun to think about than how to stay employed.”
People are drawn to good conversationalists and interesting thinkers, so become one! And post what you want to be known for.
November 4, 2011
Afterword: Sure, it may bring you more success and attention (think: Harold the Jewellery Buyer, or Hurt-in-a-Car, Call William Mattar, 444-4444), but it typecasts you for life. Once you start making good money from your specialty, there’s no escaping it. You’re trapped.
Think about it …