Alison Garwood Jones

Send me yours

December 27, 2011

 

©AGJ on Sketches

The meaning of “fruitcake” has run the gamut of mostly derogatory definitions:

a) A limp-wristed man

b) A stupid boss (usually referring to a female boss)

c) A brick of cocaine

d) A guy with a penchant for snug, and I mean really snug pants (see “a”)

e) A sexual act I’d rather not describe

f) Someone who’s one sandwich short of a picnic

g) A nickname for former Mayor of New York City, Rudolph Giuliani

h) And back in the day, a Johnny Carson punch line

And my favourite definition: a cake packed with candied fruit, toasted nuts, spices and rum that tastes epic with a steaming cup of tea.

Be nice, people. And eat up!

 

 

 

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Merry Christmas

December 23, 2011

Earlier this week I was sitting inside a glass bus shelter when a crowded school bus came to a halt. A little girl, up on her knees and facing the window, was drawing pictures in breath clouds on the glass. When her cloud evaporated, she stopped staring at the window and looked through it to see me sitting there. She looked right at me and smiled. I smiled back. Then she mouthed, “Merry Christmas” and waved.

That was my seasonal grace note.

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Thinking outside the box

December 19, 2011

 

 

Window shopping this weekend I noticed a trend in wall hangings: large, white cardboard cutouts of the Canadian provinces, especially the trio of Alberta, Saskatchewan and Manitoba.

It got me thinking: if you only bought Saskatchewan, no one would know what the rectangle on your wall signified.

Cartography is a human invention, an act of civilization. That got me thinking even more.

Weather shapes human behaviour and self-expression. We often  talk of southern cultures and northern, and expressly seek out the sun and warm breezes of southern climes to loosen up and relax.

But I often wonder how cartography shapes us. In other words, does how we chop up what nature has served up (mountains, lakes and plains) affect how we model our own realities?

Did the grid pattern of ancient land surveyors, for example, forever stamp the imagination of its settlers?

The midwest in Canada and the US is often criticized for being so straight-laced and fixed in its thinking, especially during political campaigns. Distance from port cities where there’s an easy exchange of ideas and goods can explain the midwest mindset, in part …

But does your overall shape affect your self-image too?

Imagine hailing from a box!

Nineteenth-century surveyors could have arbitrarily drawn a kink or two in Saskatchewan’s or Wyoming’s borders. But no. Straight arrows all. When there’s nothing in the landscape to go around, does that still the mind or numb the imagination?

And what of the countries or states that defy or were denied division by grid? Like Norway or the Netherlands.

Do craggy coastlines and cockeyed counties make for more squirrely inhabitants?

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The year of living dyingly

December 16, 2011

Christopher Hitchens (1949-2011)

©AGJ on Sketches

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Me likey

December 7, 2011

I’m not sure why it took me so long to stumble across the art of Hunt Slonem. I like brush gymnastics!

*Hat tip to Sasha Josipovich

 

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This says it all

December 6, 2011

Facebook COO Sheryl Sandberg explains why women won’t be equal to men outside the home until men are equal to women inside the home.

 

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Perspective is so fabulous

December 2, 2011

Someone said to me the other day, “You look like Amy Fine Collins.” I’ve read Amy Fine Collins. She’s a longtime writer on art, fashion and design for Vanity Fair, one of my favourite magazines. I like her work. I thought she was blonde and sporty, though, but that’s Nancy Collins, a celebrity profiler and another VF contributor.

Then I found this cartoon of Amy in the September issue of Vanity Fair by Canadian illustrator Barry Blitt. And, yeah, I can sort of see the resemblance.

AFC by Barry Blitt (left), AGJ by Ryan Faubert (right)

We’re both treble-named journalists, swan necks with dark pixie cuts and backgrounds in art history (although Amy has three degrees whereas I stopped at two). But  that, folks, is where the resemblances end.

A spread on Amy’s life in Elle Décor drove that home. When I was an editor at Elle Canada (oh wait — tee hee — another parallel),

… my personal life was never splashed across its pages, just my limited party life.

And here’s why:

Alison is a proud Hamiltonian

Amy is not

Amy’s dining room looks like this

Alison has no dining room …

Just a card table from Canadian Tire that she pulls out when she’s not sitting on the ground at her coffee table, Japanese-style, with guests she predicts will be flexible enough to get up again. Friends with back twinges, boney asses and higher expectations get a spot a the card table — but only after she unhinges it, snaps a colourful swath of fabric over it and rustles up enough Ikea chairs.

I say, why have English Regency and courtly French when you can have Chinese vinyl and Swedish self-assembled?

Dinner is served!

Amy’s décor pedigree is simply breathtaking. To wit, here’s what graces her dining room:

• A sketch of Balenciaga couture • A 1940s cover illustration for Vogue • An oil on canvas by Marcel Vertés

• Palm chairs by Mario Villa upholstered in Gene Mayer scarves • Whitewashed chairs by Syrie Maugham


And her boudoir

•Painted screen by Marcel Vertes • Jean-Michel Frank caned cabinet (formerly belonging to Horst)

Ok, one more … her office

Hugh Hefner’s old desk.

I’ve come to the conclusion: I don’t have a fast enough metabolism to achieve a life like this. Not on a writer’s income. That disappoints me sometimes. Shouldn’t I be going for the ultimate prize, a New York life and a New York apartment?

Trust my favourite blogger, Penelope Trunk, to put it all into perspective:

“‘Should’ is the American way of putting ourselves down in the name of the need to impress other people”

Another one of my favourites, columinst and author Meghan Daum, described her parents determination to be New Yorkers in a way that leapt off the page:

Could my parents have cured their obsession with New York by simply giving in to it? Could they have sidestepped the insecurity that begat the phoniness that begat the chronic sense of estrangement and made themselves into genuine New Yorkers the old-fashioned way, by faking it for as long as it took to start truly making it?

I haven’t hit on the answer to that, yet. I’m only on page 34 of the book where this appears, Daum’s Life Would Be Perfect If I Lived In That House. One thing I do know, …

New York does NOT have Canadian Tire Christmas trees. This one has jet black needles with extra small twinkle lights already threaded through it.

My heart needs that.

My Christmas tree is not the only thing that’s Made In Canada.

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Shake, rattle and roll

December 1, 2011


©AGJ on Sketches

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Achoo! ~ The Sequel

November 17, 2011

I’ll be fine. Really.

©AGJ on Sketches and Picnik

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As the magazine turns …

November 16, 2011

I don’t belong to book clubs because reading — and what I’m reading — feels incredibly private to me. I don’t want to share. I want to think. And problem solve. Alone.

The same goes for music. I feel invaded when someone scrolls through my playlist without asking.

For the moment, books and magazine reading can still offer a private experience. That’s because they’re still being printed on paper, which defies multitasking (except for vacuuming and snack fixing).

When (not if) we move the whole operation to screens and shut down the presses, our sense of privacy will be forever altered. When that day arrives, we will have removed an important psychic boundary that is essential to processing all life throws at us, especially at our most stressful moments.

I think about this all the time. Yesterday I read this quote by a magazine exec on D.B. Scott’s magazine website: “We’re not getting out of the magazine business. We’re getting out of the paper business,” said CEO Steve Weitzner on the decision to take his company, Ziff David Enterprise, 100% paperless starting in January. “The ability to look at what others are tweeting, share on your social networks, and pull in related content are things that print can never do,” he said.

Then Hugh MacLeod posted this cartoon on his website today:

They’re both right. And naturally I’ll keep moving with the times ’cause I’m a plucky adapter, albeit one who squints at the halting social skills of gamers and despairs at the first date couples who pull out their smart phones during awkward silences. I see it all the time. I work at a bar.

Still, here’s a challenge for our future selves: Let’s get back to infusing silence with meaning generated from within, not without.

I doubt it will work because so many people prefer running from themselves. And technology offers the perfect accomplice.

 

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