Alison Garwood Jones

Paris notebook

April 22, 2010

 

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When I lived in Paris, predatory businessmen searching for a cinq à sept used to chase me past apartment buildings like this. After a while, I stopped worrying about what was behind me and started thinking about what was beyond the balconies in the flats above. WallpaperI imagined rooms dressed in faded cream and mint striped wallpaper that was peeling back at the edges and marked up by run-ins with Louis XV furniture.

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There also had to be gilt mirrors in every size and shape. And they could never be rearranged on account of their chatelaine’s thirty-year nicotine habit which had tinted the walls two shades darker than their original colour, grounding the mirrors, several second-rate Impressionist paintings and a prized Boucher to the spots first determined when she moved in.

This oval beauty is from the eighteenth century.

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The owner, a woman surely named Claudine or Aurélia — no, Véronique! — had advanced degrees in art history from the Sorbonne and lived alone on the fourth floor of this Haussmann treasure. Alone but never lonely, Véronique entertained a handful of alternating male visitors with whom she passed a Gauloise and flicked her Zippo. Except for some baguette crumbs, a bottle of Veuve, and a box of stale macarons, there was no food around — ever. Eating took place in the cafés down the street. Insouciant and witty about life and its contradictions, Véronique was dead serious about cheese, foie gras, snails and Fraises de Bois (forest strawberries).

Veronique had several steamer trunks full of her grandmother’s clothes, I imagined, just as the panting behind me subsided and my shadow took a sharp turn down another cobblestoned back street. Finally, I sighed. Where was I? Oh, yeah, Mémère had been a cabaret singer and coquette with as many fancy gloves, hats, sparkly broaches and feather boas as one would expect of a woman in her field. Véronique inherited them all, and kept a pair of buttery soft beige kid gloves in her lingerie drawer.

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Tipsy Degas

My take on Degas

 

 

Here’s grandma in her heyday, singing about love found and lost. She looked and sounded harsh by the end. But Véronique said she lived by her own rules and, really, that’s all that mattered.

*I was on a press trip in Québec City earlier this week and couldn’t help sinking into this francophile reverie.

 

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Interior décor — guy style

April 12, 2010

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The change jar adds metallic accents to any bedroom dresser.

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From the vaults

April 9, 2010

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I like hills. Looking at them. Driving over them. Running down them. And sitting on them. I’ve left my footprints in the hills of Ireland and southern England, British Columbia and Italy. I even crossed a field similar to the one pictured above from my favourite Edward Hopper painting, Corn Hill (Truro, Cape Cod). Last December I went down to San Antonio, in part, so I could stand in silent communion in front of the painting in the McNay Art Museum.

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Zigzagging up and down the aisles of Toronto’s One of a Kind Show a few years ago, I came face-to-face with the hill country paintings of Michele Rose,  an Oakville artist. Rose’s “Summer Morn” (above)  now hangs above my desk. It reminds me of the many times my dad and I navigated the twists and turns of the Sussex countryside (en route to visit the rellies) in our sporty rented compact.

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I thought you’d appreciate a detail.

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Here’s the last hill painting I’m going to show you before we break for the weekend. It’s by the Ottawa artist Andrew King, who used to be a cartoonist for the Ottawa Citizen. This canvas, also on my wall, is entitled Dinner Call. I bought it because, as kids, the same wooden sled hung in our garage. Also, whether it was winter or summer, my mum used to fling open the back door and holler at my brothers and me to come inside for dinner or our bath. The whole neighbourhood knew when she was cracking open the Mr. Bubble.

Let’s fade out with Cat Stevens.

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In conversation with Bruce Mau

April 7, 2010

DSC_5191 Colour final-1 Photo: Dave Gillespie

I was feeling defeated the day I spoke to Bruce Mau, the Sudbury-born, world-renowned designer/thought leader. I called Mau at his Chicago studio back in January to talk about the environmental movement and to hear his ideas about design in a world without oil. We chatted a few days before he arrived in Toronto to speak at a conference on this topic at the Interior Design Show (I covered the conference for This Magazine).

That day, my belief in human potential was on the downswing, and Mau sensed it.  Blame Copenhagen. This was a few weeks after the missed opportunities at the Climate Summit where, according to Rick Mercer, Canada’s Jon Stewart, our prime minister hid in his hotel room the whole time, living on club sandwiches.

When I picked up the phone and dialed Mau’s number I was thinking that our use of fossil fuels was as widespread as a giant banyan tree whose roots had circled the planet to point of strangulation (OK, I have a fertile and metaphorical imagination). An earlier conversation with economist Anita McGahan, speaking from her office at the Rotman School of Management at the University of Toronto, was a sober reminder of the extent of our dependence (my dependence) on petrochemicals.

“Look around in the room you’re sitting in,” said Prof. McGahan, who teaches a course on “The End of Oil.” “Your carpets, the paint on your walls, the fire extinguisher in your kitchen, the water bottle on your desk — all are derived from oil. So are the fillings in your teeth, your eyeglasses, your clothes, your computer, your iPhone and anything in the room made of plastic…” Her list didn’t end there. “Our very infrastructure is petroleum-dependent, including our telecommunications, our water sewage systems and our agricultural industry, since petroleum-based fertilizers are juicing the agricultural productivity of the world.”

What McGahan said was fascinating. Still, I came away from our conversation feeling like separating my garbage was as impactful as throwing a deck chair off the Queen Mary.

Even if human nature weren’t so resistant to change, how could it when we’re this coated in plastic?

Enter Bruce Mau. I’m glad he exists. He has to be the most worldly (forgive me, Mr. Mau) “motivational speaker” on the planet.  Not to mention the most playful, quoting mots justes from sources as varied as Frank Gehry to Dr. Seuss. Talking to Mau, I felt challenged, perplexed and exhilarated, like I’d just experienced an IMAX screening of the earth shot up close then viewed from space astride a comet. Simply put, Mau has this ability to galvanize your belief in the possibility of change.

Spoiler alert: In this interview, Mau didn’t give me a definitive answer to our environmental woes, so don’t go searching for it. His example inspires us all to innovate our way towards new ways of living.

Q: Are we ready for the cost and sacrifice of a sustainable economy?

Bruce Mau: Actually, that’s the wrong way to start this conversation [laughs]. Journalists are always framing it that way. So long as we articulate sustainability negatively, people will think, “Hey, I’m not up for that.” This is not about cost and sacrifice, it’s about investment and opportunity.

You’re such an optimist!

Well, these are exciting times! We’re living in an intensive period of invention right now, akin to 1900 when the idea of pairing a motor and a wheel was new and exciting. There’s a real flourishing of the entrepreneurial spirit happening and it’s akin to the excitement a century ago when we were embracing a lot of new technology.

But then optimism turned to concern.

Yeah, at the end of the twentieth century we realized we have a whole new set of problems because of the way we defined the car. We need to redesign it [the car, and a lot of other things]. I like to frame it this way: the problems we have right now are problems of success, not failure. The car is not a problem because it failed, it’s a problem because it succeeded.

But we all need to go about our day. No one wants to be lectured about changing their habits.

Right, telling someone to get out of their car and only take public transportation won’t work. But seducing them with good design just might. We need to embarrass the old [oil guzzling] way of doing things by out-designing it with sustainable alternatives.

Do we have low design expectations for sustainable objects?

Absolutely! One area where we’ve failed in the environmental movement is in understanding how important aesthetics is to success. I don’t believe that a sustainable future will be uglier than an unsustainable one. I don’t believe that we can succeed in sustainability without making it more beautiful than the stupid way. But, again, a big problem we face in the environmental movement is that we’ve articulated our challenges negatively. What we really should be saying is: we’re going to use design to make the coolest new car that’s sustainable and more beautiful than any car you’ve ever seen. The Tesla is an electric car that blows away the Ferrari in terms of design, speed and performance, and it’s practically silent to operate. That’s how we’re going to win!

So what’s holding us back, then? Is it price?

Nothing. Tesla has a waiting list a mile long. General Motors didn’t get the memo. Having said that, I think people view our progress as way too slow. To some degree, that’s true. New plastics are being developed that don’t come from oil and it seems like it’s taking so long to implement them. But in the grand scheme of history, these changes are happening incredibly fast. The leap from books to cars to iPhones came about in a blink of an eye. We know we can do things, but it takes time to transform industrial structures.

OK, so where do we go from here?

It’s critical that we recognize and support the power we have as individuals. When you think about the tools we have at our disposal, it’s amazing. For centuries, kings and queens didn’t have access to the mobility and communications we all have now. My father was a miner in Sudbury. Had I been born fifty years earlier, I wouldn’t be contributing what I’m capable of. Today we’re connecting with one another across cultures, languages, religions and national boundaries. Social media and the internet are playing a big part in distributing power. Wrap your head around this: we’re doubling our capacity to move information every twelve months. That means we’re doubling the double. It’s not like we’re adding two times, we’re multiplying two times. That means we’re doubling our capacity to change the world. Over a twenty year period, we’ll increase our capacity a million-fold.

Philanthropy has been changing to reflect, as you say, the power of the individual. I’m thinking of cell phone distribution programs in the developing world and one laptop per child.

Exactly. One of the roles of philanthropy is to support this tool distribution. It’s no longer about gifts falling from the sky, it’s about helping people understand and experience their own power and building a capacity internal to the culture. Building a culture of capacity is, to a large extent, psychological. So much of it is understanding, I have the tools to do this. I have the freedom.

Do you think emerging superpowers, like India, understand the importance of “building a capacity internal to the culture” better than Canada or the US?

I went to a Red Hat Conference, recently. It was an open source software conference. The head of the India Institute of Technology took my aside and said, “You guys have no idea what open source means. For you, open source means changing your service provider.” For him, it means putting tools in the hands of 500 million kids for free. We’re living in a revolution and we’re not conscious of it because it’s so integrated. My studio is working with a lot of companies that are being transformed by these possibilities. Every day, media companies wake up and there’s a new competitor. We’re working with companies where their entire history is 10 years and the average tenure of an employee is five months. I wouldn’t be surprised if something is being developed in a dorm room right now that will be worth 2 billion dollars by the end of next year.

Thank you!

You’re welcome!

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It’s SO hard to be interesting

March 31, 2010

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Day traders: then and now

March 28, 2010

THEN (ca.1986-2008)

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Four blog posts down, on March 19th,  I looked at the male-dominated culture of day trading.

After the hard lessons of September 2008 (September sure has proven to be a calamitous month, hasn’t it?), I wondered how and if we can change the recklessness of this species of capitalists?

“Do you put each trader in a single enclosed office space away from his buddies?” I asked.  I said that because researchers at the University of California published a study in March 2008 that found that men in group situations, like trading floors, are more likely to engage in risky decision making because they get caught up in issues of relative social status and dominance.

Well, I think I got an answer — or, at least, part of it — on my doorstep this morning. According to a front page story by David Segal in the business section of today’s New York Times, the Great Recession has given rise to a more mellow trader, while virtual trading is slowly starting to replace frenetic trading floors.

“You expect [all traders] to be revved up and antsy,” Segal points out. After all, the old way, summed up by the picture at the very top of this post, was a mosh pit of testosterone. “Remember the day traders?” asks Segal in the killer opening paragraph to his article. “They were hard to miss during the tech-stock mania a decade ago, when the NASDAQ seemed like a casino built by morons and a chimp with darts could pick winners.”

The Great Recession has sent many a day trader back to the comfort of his own home (I say “his” because they’re still almost all guys). The Red Bulls, the chest bumping, the swearing and the occasional spontaneous fist fights (à la the NHL) have been replaced by the hum of refrigerators, kids playing and dogs barking at the mail man, as evidenced in the second photograph by Times shutterbug, Sandy Huffaker.

The tone these home-based traders set, says Segal, is more akin to “members of a mellow Southern California rock band that split up 15 years ago. The most agitated [they] get while trading online is the occasional ‘goddangit.'”

These guys are a part of the new frontier in online trading. They use all the latest crowd-sourcing tools available on the internet: You Tube, Twitter and GotoMeeting, a Web conferencing service. Because trust in institutional investors (the chimps with the darts) is at an all time low, investors are starting to look elsewhere for answers, according to Segal. “[The old-style trader] nearly blew us all up with leverage,” says Howard Linzdon, co-founder of StockTwits, in an interview with the author.

That’s not to say that people aren’t hiring professionals to manage their investment portfolios. They are. Who has the time or the knowledge to do it all themselves? I sure don’t. More people, though, are rejecting the Gordon Gekkos and turning to sites managed by home-based traders, sites that believe in exposing the inner workings of trading transactions.

The Times article profiles a couple of guys who work for Today Trader (todaytrader.com), a two-year old internet venture that puts a premium on transparency. “Here is your chance to look over the ‘virtual shoulder’ of experienced traders executing LIVE stock trades,” says the website.” Watch and listen in REAL TIME using desktop sharing software and Internet audio as we execute trades throughout the day. A new way to learn how to Day Trade and Swing Trade.” It’s the latter-day equivalent of tuning in your transistor radio to listen to truck drivers bantering back and forth on their CB’s.

While this new breed of trader isn’t taking over from the mega institutions, like Charles Schwab, they are evidence of a shift in our culture, one brought about by the intersection of a falling economy and an ascending digital culture.

The partners at Today Trader, Steve Gomez and Andy Linloff (pictured above with his daughter jumping on the bed behind him), spend much of their day fielding questions posted in their chat room. Their Zen responses should convince you that change is afoot.

Segal describes one subscriber, Rick, who asks Gomez, “What do you guys do to stop kicking yourself (emotionally) about missed opportunity?” Mr. Gomez leans into his keyboard and taps out a response. “Not looking back, not kicking yourself for not catching the whole move. You’re never going to be perfect. Nobody is going to be perfect. … Our down days are every bit as instructive as our ups.”

Trends come and go. Let’s see if this one sticks.

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Je ne suis pas flattée

March 24, 2010

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When French poet Jean Cocteau told Coco Chanel “you think like a man,” mad, she countered by grabbing a silk ribbon and tying it around her head (bow forward). “Chanel may have believed she was equal to any man,” writes Janet Wallach, “but she never confused the two sexes. Parity was important, but femininity was an imperative.”

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R.I.P. Fess Parker

March 22, 2010

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Witnessing history is good for our health

March 22, 2010

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This one and only life

March 8, 2010

IMG_0045Beer turns lots of people into citizen philosophers, including me.

I was nursing a Guinness the other day with my friend, Ajeet, when, apropos of nothing, he sighed and announced, “Well, I’ve fulfilled my biological destiny. I’ve fathered a boy and a girl.” He didn’t elaborate, although I gave him the space to. All I remember is, the “dot, dot, dot” at the end of his statement sounded like it was turned all the way up to eleven.

Paleolithic Man was driven by the instinct to replicate himself (when he wasn’t outsmarting death). What choice did he have when saber-toothed tigers were crouching around every corner and the weather constantly threatened to wipe out his food options? Today’s comforts and conveniences, however, have relieved us of much of the physical struggle to survive, at least in the West. With snacks and beverages a given, we’ve turned our questing spirit over to identifying the purpose of life beyond survival (meaning: we stare into space and hoppy drinks a lot more and stay up all night having life-dissecting conversations).

To illustrate this — and this is totally unscientific — look at the number of breathless shout outs in the Twitter stream coming from travelers determined to share their sightings of the sun burning its way through the morning mist in India, or sinking behind the horizon in Africa. All, in my mind, confirm our need to reach for something indefinably greater. In my own romantic/existential hazes, I’ve felt an inexplicable urgency to draw and share the colours of the sky over Toronto created with a swirl of my finger across my iPhone screen. I’d say this makes me part of the growing contingent of smart phone owners who are using technology to bridge time and space and join forces with the universe.

Writer and poet, Edith Cobb, put it best when she said, “The need to extend the self in time and space — the need to create in order to live, to breathe, and to be — precedes, indeed, of necessity exceeds, the need for self-reproduction as a personal survival function.” And while this is not a quote fest, let me point out something else the singer/songwriter Judy Collins said to her friend, Gloria Steinem, when GS was weathering a case of the mean reds. Both knew that art was not some rarefied pursuit. “We have five senses because we’re supposed to use them,” explained Collins. “I think we each come out of the womb with some unique way of looking at the world, and if we don’t express it, we lose faith in ourselves.”

My main man Jeremy Rifkin, author of The Empathic Civilization, has something to say about this too. Rifkin sees a new role for the internet as a platform for collectively boosting our faith in ourselves and each other, and he reinforced this in January at a talk he delivered to the employees at Google, captured on YouTube.

Rifkin believes the net has this rare ability to “connect the central nervous system of the human race.” It’s like nothing we’ve ever seen before and it’s changing our consciousness, he says. He wants to see Google getting actively involved in extending our capacity for empathy and social change (especially in the raising of our biosphere consciousness).

I know what he means about connecting the central nervous system. Writing a letter doesn’t feel anything like the prickly rush I sometimes get after I lob my heartfelt ideas and sketches into cyberspace. And while speed is a part of it, it’s really about breadth. Letters are a contained experience (as they should be in certain cases). The net isn’t. There’s something about taking chances with more than one person that we’ve never experienced before, at least at this scale. As Rifkin explains it, the internet is feeding into our innate need to broaden and deepen our relationships and participate in “more expansive communities of meaning.”

The possibilities of the internet to spread empathy also raises new and more hopeful possibilities for re-imagining human nature. The Greed is Good characterization of human nature — born in the eighteenth century and alive today in our constant re-casting of Michael Douglas in his Gordon Gekko role from the movie, Wall Street — is still gospel, as Rifkin points out, but it’s no longer sacrosanct. The record amount of money raised for Haiti through Twitter made us rethink ourselves and our potential.

Indeed, Michael Douglas’s own personal relationships, especially the one with his son, have made him do a big re-think about his choices and his nature. His life shows how one father’s self-serving behaviour made the people closest to him lose faith in themselves. I get exactly the opposite feeling from Jeff Bridges’ relationship with his dad, Lloyd (wasn’t that a great Oscar tribute!). The Bridges family was (and is)  all about expressing and extending the best we have to offer.

I feel that way too about my friend Ajeet and his kids. So much for “dot, dot, dot.”

*Ajeet is not my friend’s real name.

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